International Feature Film category for the 92nd Academy Awards

Ninety-three countries have submitted films for consideration in the new International Feature Film category (previously Foreign Language) for the 92nd Academy Awards. Ghana, Nigeria and Uzbekistan are first-time entrants. The 2019 submissions, listed in alphabetical order by country, are:

  • Albania, “The Delegation,” Bujar Alimani, director;
  • Algeria, “Papicha,” Mounia Meddour, director;
  • Argentina, “Heroic Losers,” Sebastián Borensztein, director;
  • Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
  • Australia, “Buoyancy,” Rodd Rathjen, director;
  • Austria, “Joy,” Sudabeh Mortezai, director;
  • Bangladesh, “Alpha,” Nasiruddin Yousuff, director;
  • Belarus, “Debut,” Anastasiya Miroshnichenko, director;
  • Belgium, “Our Mothers,” César Díaz, director;
  • Bolivia, “I Miss You,” Rodrigo Bellott, director;
  • Bosnia and Herzegovina, “The Son,” Ines Tanovic, director;
  • Brazil, “Invisible Life,” Karim Aïnouz, director;
  • Bulgaria, “Ága,” Milko Lazarov, director;
  • Cambodia, “In the Life of Music,” Caylee So, Sok Visal, directors;
  • Canada, “Antigone,” Sophie Deraspe, director;
  • Chile, “Spider,” Andrés Wood, director;
  • China, “Ne Zha,” Yu Yang, director;
  • Colombia, “Monos,” Alejandro Landes, director;
  • Costa Rica, “The Awakening of the Ants,” Antonella Sudasassi Furniss, director;
  • Croatia, “Mali,” Antonio Nuic, director;
  • Cuba, “A Translator,” Rodrigo Barriuso, Sebastián Barriuso, directors;
  • Czech Republic, “The Painted Bird,” Václav Marhoul, director;
  • Denmark, “Queen of Hearts,” May el-Toukhy, director;
  • Dominican Republic, “The Projectionist,” José María Cabral, director;
  • Ecuador, “The Longest Night,” Gabriela Calvache, director;
  • Egypt, “Poisonous Roses,” Ahmed Fawzi Saleh, director;
  • Estonia, “Truth and Justice,” Tanel Toom, director;
  • Ethiopia, “Running against the Wind,” Jan Philipp Weyl, director;
  • Finland, “Stupid Young Heart,” Selma Vilhunen, director;
  • France, “Les Misérables,” Ladj Ly, director;
  • Georgia, “Shindisi,” Dimitri Tsintsadze, director;
  • Germany, “System Crasher,” Nora Fingscheidt, director;
  • Ghana, “Azali,” Kwabena Gyansah, director;
  • Greece, “When Tomatoes Met Wagner,” Marianna Economou, director;
  • Honduras, “Blood, Passion, and Coffee,” Carlos Membreño, director;
  • Hong Kong, “The White Storm 2 Drug Lords,” Herman Yau, director;
  • Hungary, “Those Who Remained,” Barnabás Tóth, director;
  • Iceland, “A White, White Day,” Hlynur Pálmason, director;
  • India, “Gully Boy,” Zoya Akhtar, director;
  • Indonesia, “Memories of My Body,” Garin Nugroho, director;
  • Iran, “Finding Farideh,” Azadeh Moussavi, Kourosh Ataee, directors;
  • Ireland, “Gaza,” Garry Keane, Andrew McConnell, directors;
  • Israel, “Incitement,” Yaron Zilberman, director;
  • Italy, “The Traitor,” Marco Bellocchio, director;
  • Japan, “Weathering with You,” Makoto Shinkai, director;
  • Kazakhstan, “Kazakh Khanate. The Golden Throne,” Rustem Abdrashov, director;
  • Kenya, “Subira,” Ravneet Singh (Sippy) Chadha, director;
  • Kosovo, “Zana,” Antoneta Kastrati, director;
  • Kyrgyzstan, “Aurora,” Bekzat Pirmatov, director;
  • Latvia, “The Mover,” Davis Simanis, director;
  • Lebanon, “1982,” Oualid Mouaness, director;
  • Lithuania, “Bridges of Time,” Audrius Stonys, Kristine Briede, directors;
  • Luxembourg, “Tel Aviv on Fire,” Sameh Zoabi, director;
  • Malaysia, “M for Malaysia,” Dian Lee, Ineza Roussille, directors;
  • Mexico, “The Chambermaid,” Lila Avilés, director;
  • Mongolia, “The Steed,” Erdenebileg Ganbold, director;
  • Montenegro, “Neverending Past,” Andro Martinović, director;
  • Morocco, “Adam,” Maryam Touzani, director;
  • Nepal, “Bulbul,” Binod Paudel, director;
  • Netherlands, “Instinct,” Halina Reijn, director;
  • Nigeria, “Lionheart,” Genevieve Nnaji, director;
  • North Macedonia, “Honeyland,” Ljubo Stefanov, Tamara Kotevska, directors;
  • Norway, “Out Stealing Horses,” Hans Petter Moland, director;
  • Pakistan, “Laal Kabootar,” Kamal Khan, director;
  • Palestine, “It Must Be Heaven,” Elia Suleiman, director;
  • Panama, “Everybody Changes,” Arturo Montenegro, director;
  • Peru, “Retablo,” Alvaro Delgado Aparicio, director;
  • Philippines, “Verdict,” Raymund Ribay Gutierrez, director;
  • Poland, “Corpus Christi,” Jan Komasa, director;
  • Portugal, “The Domain,” Tiago Guedes, director;
  • Romania, “The Whistlers,” Corneliu Porumboiu, director;
  • Russia, “Beanpole,” Kantemir Balagov, director;
  • Saudi Arabia, “The Perfect Candidate,” Haifaa Al Mansour, director;
  • Senegal, “Atlantics,” Mati Diop, director;
  • Serbia, “King Petar the First,” Petar Ristovski, director;
  • Singapore, “A Land Imagined,” Yeo Siew Hua, director;
  • Slovakia, “Let There Be Light,” Marko Skop, director;
  • Slovenia, “History of Love,” Sonja Prosenc, director;
  • South Africa, “Knuckle City,” Jahmil X.T. Qubeka, director;
  • South Korea, “Parasite,” Bong Joon Ho, director;
  • Spain, “Pain and Glory,” Pedro Almodóvar, director;
  • Sweden, “And Then We Danced,” Levan Akin, director;
  • Switzerland, “Wolkenbruch’s Wondrous Journey into the Arms of a Shiksa,” Michael Steiner, director;
  • Taiwan, “Dear Ex,” Mag Hsu, Chih-Yen Hsu, directors;
  • Thailand, “Krasue: Inhuman Kiss,” Sitisiri Mongkolsiri, director;
  • Tunisia, “Dear Son,” Mohamed Ben Attia, director;
  • Turkey, “Commitment Asli,” Semih Kaplanoglu, director;
  • Ukraine, “Homeward,” Nariman Aliev, director;
  • United Kingdom, “The Boy Who Harnessed the Wind,” Chiwetel Ejiofor, director;
  • Uruguay, “The Moneychanger,” Federico Veiroj, director;
  • Uzbekistan, “Hot Bread,” Umid Khamdamov, director;
  • Venezuela, “Being Impossible,” Patricia Ortega, director;
  • Vietnam, “Furie,” Le Van Kiet, director.