92nd Oscar Week Events

In the week leading up to the 92nd Oscars, the Academy of Motion Picture Arts and Sciences will present a series of public programs celebrating this year’s nominees in the Animated Feature Film, Documentary Feature, Documentary Short Subject, International Feature Film, Makeup and Hairstyling, and Animated and Live Action Short Film categories. All events will be held at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The schedule is as follows:

OSCAR WEEK: DOCUMENTARIES
Tuesday, February 4, 7:30 p.m.
Samuel Goldwyn Theater

Hosted by Academy Documentary Branch Governors Kate Amend, Rory Kennedy and Roger Ross Williams

The Academy showcases the nominated films and filmmakers in the Documentary Short Subject and Documentary Feature categories. The evening will include a presentation of clips from this year’s nominated films. Nominees from all ten documentaries will participate (schedules permitting).

OSCAR WEEK: SHORTS
Wednesday, February 5, 7:00 p.m.
Samuel Goldwyn Theater

Hosted by director Vicky Jenson

The Academy celebrates the nominated films and filmmakers in the Animated Short Film and Live Action Short Film categories. The evening will include a screening of all ten nominated shorts in their entirety, as well as discussions with all the nominated filmmakers (schedules permitting).

OSCAR WEEK: INTERNATIONAL FEATURE FILM
Thursday, February 6, 7:30 p.m.
Samuel Goldwyn Theater

Hosted by International Feature Film Award Executive Committee co-chairs Larry Karaszewski and Diane Weyermann

The Academy will spotlight this year’s nominees for Best International Feature Film, formerly known as Foreign Language Film. The night will feature clips from each nominated film, as well as a panel discussion with the directors (schedules permitting).

OSCAR WEEK: ANIMATED FEATURES
Saturday, February 8, 10:00 a.m.
Samuel Goldwyn Theater

Hosted by last year’s Animated Feature Film Oscar winners, Phil Lord and Christopher Miller

The Academy presents this year’s event celebrating the films and filmmakers nominated for Best Animated Feature Film. The program will feature clips from each film, with an onstage discussion with each group of nominated filmmakers (schedules permitting).

OSCAR WEEK: MAKEUP AND HAIRSTYLING SYMPOSIUM
Saturday, February 8, 3:00 p.m.
Samuel Goldwyn Theater

Hosted by Academy Makeup Artists and Hairstylists Branch Governors Kathryn L. Blondell, Lois Burwell and Howard Berger

The Academy will celebrate the artists nominated for the Makeup and Hairstyling award in our 14th annual event spotlighting this category. The event will include a screening of the “bake-off” reels that Academy branch members viewed before voting on the nominated films. Each will be followed by a discussion panel with the nominees (schedules permitting).

Tickets went on sale online on Thursday, 16 January at Oscars.org. Tickets are $5 for the general public and $3 for Academy members and students with a valid ID (Shorts and Foreign Language Films tickets limited to four per person). Doors open one hour prior to each event. All ticketed seating is unreserved. For more information, visit Oscars.org or call (310) 247-3600.

Public programming for 2020 Oscar Week is made possible in part by the Ruderman Family Foundation, which promotes authentic representation in the entertainment industry and full inclusion of people with disabilities throughout all sectors of society.

The 92nd Academy Award Nominees Class of 2020

Oscar Sidebars 2020

  • Best Picture Release Dates:
    • Once upon a Time…in Hollywood – July 25, 2019
    • Joker – October 3, 2019
    • Parasite – October 10, 2019
    • Jojo Rabbit – October 17, 2019
    • The Irishman – November 1, 2019
    • Marriage Story – November 6, 2019
    • Ford v Ferrari – November 14, 2019
    • Little Women – December 25, 2019
    • 1917 – December 25, 2019
  • A record 62 women were nominated, almost one third of this year’s nominees.
  • Emma Tillinger Koskoff (Joker, The Irishman) and David Heyman (Marriage Story, Once upon a Time…in Hollywood) are the sixth and seventh producers to have two films nominated for Best Picture in the same year (since 1951 when individual producers first became eligible as nominees in the category). Previous producers were Francis Ford Coppola and Fred Roos (1974), Scott Rudin (2010), Megan Ellison (2013), and Steve Golin (2015). The Best Picture category expanded from five to up to ten films with the 2009 Awards year.
  • Parasite is the eleventh non-English language film nominated for Best Picture and the sixth to be nominated for both International Feature Film (formerly Foreign Language Film) and Best Picture in the same year. Each of the previous five (Z, 1969; Life Is Beautiful, 1998; Crouching Tiger, Hidden Dragon, 2000; Amour, 2012; Roma, 2018) won for Foreign Language Film but not Best Picture. In April 2019, the Academy’s Board of Governors voted to rename the Foreign Language Film category to International Feature Film.
  • With his ninth Directing nomination, Martin Scorsese is the most-nominated living director. Only William Wyler has more nominations in the category, with a total of 12.
  • In the acting categories, five individuals are first-time nominees (Antonio Banderas, Cynthia Erivo, Scarlett Johansson, Florence Pugh, Jonathan Pryce). Eight of the nominees are previous acting winners (Kathy Bates, Leonardo DiCaprio, Tom Hanks, Anthony Hopkins, Al Pacino, Joe Pesci, Charlize Theron, Renée Zellweger). Adam Driver is the only nominee who was also nominated for acting last year.
  • Saoirse Ronan is the second youngest four-time acting nominee at age 25. Jennifer Lawrence is the youngest.
  • Cynthia Erivo is the third person to receive acting and song nominations for the same film. Mary J. Blige was the first, with her nominations for Mudbound in 2017, followed by Lady Gaga with her nominations for A Star Is Born last year. Barbra Streisand was the first person to receive nominations in both categories but for different films.
  • Composer Hildur Guðnadóttir is the ninth woman nominated in the music scoring categories.
  • John Williams continues to add to his record number of music scoring nominations with his 47th. His overall total of 52 nominations (including five for Original Song) is the most for any living person, and second only to Walt Disney at 59.
  • Randy Newman’s ninth nomination for Original Score and thirteenth nomination for Original Song, and Thomas Newman’s fifteenth nomination for Original Score, bring the total for members of the Newman family (Alfred, Lionel, Emil, Thomas, David and Randy) to 93, more than any other family.
  • Three generations of Minklers have been Oscar-nominated in the Sound Mixing category. Brothers Bob and Lee, their nephew Michael, and Michael’s son Christian have a combined total of 16 nominations (including two this year), and four wins.
  • With his tenth nomination, Alan Robert Murray has set a record for the Sound Editing category.
  • Little Women is the fourth film version of the Louisa May Alcott novel to receive Academy Award nominations, for a total of 14 nominations.

 

 

92nd Oscars Shortlists

Three hundred forty-four feature films are eligible for the 2019 Academy Awards, the Academy of Motion Picture Arts and Sciences has announced.Nominations for the 92nd Academy Awards will be announced on Monday, January 13, 2020.

The Academy has announced shortlists in consideration for the 92nd Academy Awards in nine categories: Documentary Feature, Documentary Short Subject, International Feature Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.

DOCUMENTARY FEATURE

Fifteen films advance in the Documentary Feature category for the 92nd Academy Awards®.  One hundred fifty-nine films were submitted in the category. The films, listed in alphabetical order by title, are:

“Advocate”
“American Factory”
“The Apollo”
“Apollo 11”
“Aquarela”
“The Biggest Little Farm”
“The Cave”
“The Edge of Democracy”
“For Sama”
“The Great Hack”
“Honeyland”
“Knock Down the House”
“Maiden”
“Midnight Family”
“One Child Nation”

DOCUMENTARY SHORT SUBJECT

Ten films advance in the Documentary Short Subject category for the 92nd Academy Awards.  Ninety-six films qualified in the category. The films, listed in alphabetical order by title, are:

“After Maria”
“Fire in Paradise”
“Ghosts of Sugar Land”
“In the Absence”
“Learning to Skateboard in a Warzone (If You’re a Girl)”
“Life Overtakes Me”
“The Nightcrawlers”
“St. Louis Superman”
“Stay Close”
“Walk Run Cha-Cha”

INTERNATIONAL FEATURE FILM

Ten Ten films advance to the next round of voting in the International Feature Film category (formerly known as Foreign Language Film) for the 92nd Academy Awards.  Ninety-one films were eligible in the category.The films, listed in alphabetical order by country, are:

Czech Republic, “The Painted Bird”
Estonia, “Truth and Justice”
France, “Les Misérables”
Hungary, “Those Who Remained”
North Macedonia, “Honeyland”
Poland, “Corpus Christi”
Russia, “Beanpole”
Senegal, “Atlantics”
South Korea, “Parasite”
Spain, “Pain and Glory”

MAKEUP AND HAIRSTYLING

Ten films advance in the Makeup and Hairstyling category for the 92nd Academy Awards. The films, listed in alphabetical order by title, are:

“Bombshell”
“Dolemite Is My Name”
“Downton Abbey”
“Joker”
“Judy”
“Little Women”
“Maleficent: Mistress of Evil”
“1917”
“Once upon a Time…in Hollywood”
“Rocketman”

MUSIC (ORIGINAL SCORE)

Fifteen scores advance in the Original Score category for the 92nd Academy Awards.  One hundred seventy scores were eligible in the category. The scores, listed in alphabetical order by film title, are:

“Avengers: Endgame”
“Bombshell”
“The Farewell”
“Ford v Ferrari”
“Frozen II”
“Jojo Rabbit”
“Joker”
“The King”
“Little Women”
“Marriage Story”
“Motherless Brooklyn”
“1917”
“Pain and Glory”
“Star Wars: The Rise of Skywalker”
“Us”

MUSIC (ORIGINAL SONG)

Fifteen songs will in the Original Song category for the 92nd Academy Awards.  Seventy-five songs were eligible in the category.  The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title:

“Speechless” from “Aladdin”
“Letter To My Godfather” from “The Black Godfather”
“I’m Standing With You” from “Breakthrough”
“Da Bronx” from “The Bronx USA”
“Into The Unknown” from “Frozen II”
“Stand Up” from “Harriet”
“Catchy Song” from “The Lego Movie 2: The Second Part”
“Never Too Late” from “The Lion King”
“Spirit” from “The Lion King”
“Daily Battles” from “Motherless Brooklyn”
“A Glass of Soju” from “Parasite”
“(I’m Gonna) Love Me Again” from “Rocketman”
“High Above The Water” from “Toni Morrison: The Pieces I Am”
“I Can’t Let You Throw Yourself Away” from “Toy Story 4”
“Glasgow” from “Wild Rose”

ANIMATED SHORT FILM

Ten films advance in the Animated Short Film category for the 92nd Academy Awards.  Ninety-two films qualified in the category.  The films, listed in alphabetical order by title, are:

“Dcera (Daughter)”
“Hair Love”
“He Can’t Live without Cosmos”
“Hors Piste”
“Kitbull”
“Memorable”
“Mind My Mind”
“The Physics of Sorrow”
“Sister”
“Uncle Thomas: Accounting for the Days”

LIVE ACTION SHORT FILM

Ten films advance in the Live Action Short Film category for the 92nd Academy Awards.  One hundred ninety-one films qualified in the category. The films, listed in alphabetical order by title, are:

“Brotherhood”
“The Christmas Gift”
“Little Hands”
“Miller & Son”
“Nefta Football Club”
“The Neighbors’ Window”
“Refugee”
“Saria”
“A Sister”
“Sometimes, I Think about Dying”

VISUAL EFFECTS

Ten films remain in the running in the Visual Effects category for the 92nd Academy Awards.  The films, listed in alphabetical order by title, are:

“Alita: Battle Angel”
“Avengers: Endgame”
“Captain Marvel”
“Cats”
“Gemini Man”
“The Irishman”
“The Lion King”
“1917”
“Star Wars: The Rise of Skywalker”
“Terminator: Dark Fate”

Visual Effects Shortlist of 20 for 92nd Academy Awards

“Star Wars: The Rise of Skywalker” is one of 20 films to be shortlisted by The Academy to be in the running in the Visual Effects category for the 92nd Academy Awards. Later this month, the Academy’s Visual Effects Branch Executive Committee will select a shortlist of 10 films that will advance to nominations voting. Nominations will be announced on Monday, January 13, 2020. The films listed in alphabetical order are:

“Ad Astra”
“The Aeronauts”
“Aladdin”
“Alita: Battle Angel”
“Avengers: Endgame”
“Captain Marvel”
“Cats”
“Dumbo”
“Fast and Furious Presents: Hobbs & Shaw”
“Ford v Ferrari”
“Gemini Man”
“The Irishman”
“Jumanji: The Next Level”
“The Lion King”
“Men in Black: International”
“Midway”
“1917”
“Spider-Man: Far from Home”
“Star Wars: The Rise of Skywalker”
“Terminator: Dark Fate”

159 Documentary Features Submitted for 92nd Oscars

One hundred fifty-nine features have been submitted for consideration in the Documentary Feature category for the 92nd Academy Awards, a category that was won by “Free Solo” in 2019.

Several of the films have not yet had their required Los Angeles and New York qualifying releases.  Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process.

The submitted features, listed in alphabetical order, are:

“Advocate”
“After Parkland”
“The All-Americans”
“Always in Season”
“The Amazing Johnathan Documentary”
“American Dharma”
“American Factory”
“American Relapse”
“Angels Are Made of Light”
“The Apollo”
“Apollo 11”
“Aquarela”
“Ask Dr. Ruth”
“At the Heart of Gold: Inside the USA Gymnastics Scandal”
“Bethany Hamilton: Unstoppable”
“The Biggest Little Farm”
“The Black Godfather”
“Blink of an Eye”
“Blowin’ Up”
“Blue Note Records: Beyond the Notes”
“The Boy Band Con: The Lou Pearlman Story”
“Bridges of Time”
“The Brink”
“Broken Dreams”
“The Bronx USA”
“Bruno Sammartino”
“Buddha in Africa”
“Call Me Intern”
“Carmine Street Guitars”
“The Cave”
“Chasing Einstein”
“Cinema Morocco”
“Citizen K”
“The Cold Blue”
“Cold Case Hammarskjold”
“Combat Obscura”
“The Cordillera of Dreams”
“Cracked Up”
“Cunningham”
“David Crosby: Remember My Name”
“Debut”
“Diego Maradona”
“The Disappearance of My Mother”
“Don’t Be Nice”
“Echo in the Canyon”
“The Edge of Democracy”
“The Elephant Queen”
“Emanuel”
“Ernie & Joe: Crisis Cops”
“Fantastic Fungi”
“#Female Pleasure”
“Fiddler: A Miracle of Miracles”
“Fiddlin’”
“Finding Farideh”
“Finding the Way Home”
“5B”
“For Sama”
“For the Birds”
“Foster”
“The Fourth Kingdom. The Kingdom of Plastics”
“Framing John DeLorean”
“Fyre: The Greatest Party That Never Happened”
“The Game Changers”
“Gay Chorus Deep South”
“Gaza”
“Ghost Fleet”
“The Gift: The Journey of Johnny Cash”
“The Gospel of Eureka”
“The Great Hack”
“Hail Satan?”
“Halston”
“Hate among Us”
“Heading Home: The Tale of Team Israel”
“Heimat Is a Space in Time”
“Hesburgh”
“Honeyland”
“Hope Frozen”
“The Hottest August”
“Humberto Mauro”
“I Had a Dream”
“Immortal”
“The Inventor: Out for Blood in Silicon Valley”
“It’s a Hard Truth Ain’t It”
“Janani’s Juliet”
“Jawline”
“Jay Myself”
“Jim Allison: Breakthrough”
“Joseph Pulitzer: Voice of the People”
“The Kingmaker”
“Knock Down the House”
“Letter to the Editor”
“Liberty: Mother of Exiles”
“Linda Ronstadt: The Sound of My Voice”
“Love, Antosha”
“M for Malaysia”
“Maiden”
“Making Waves: The Art of Cinematic Sound”
“Marianne & Leonard: Words of Love”
“Meeting Gorbachev”
“Midnight Family”
“Midnight Traveler”
“Mike Wallace Is Here”
“Miles Davis: Birth of the Cool”
“Moonlight Sonata: Deafness in Three Movements”
“The Most Dangerous Year”
“Mosul”
“Moti Bagh”
“My Home India”
“My Name Is Daniel”
“On the President’s Orders”
“One Child Nation”
“Pavarotti”
“The Proposal”
“Prosecuting Evil: The Extraordinary World of Ben Ferencz”
“Q Ball”
“The Quiet One”
“Raise Hell: The Life and Times of Molly Ivins”
“Reason/Vivek”
“Recorder: The Marion Stokes Project”
“Reinventing Rosalee”
“The Rememberer”
“The River and the Wall”
“Roll Red Roll”
“Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese”
“Running with Beto”
“The Russian Five”
“Satan & Adam”
“Scandalous”
“Sea of Shadows”
“Serendipity”
“The Serengeti Rules”
“Shooting the Mafia”
“16 Bars”
“16 Shots”
“The Spy behind Home Plate”
“Super Size Me 2: Holy Chicken”
“Talking about Trees”
“Tell Me Who I Am”
“Tesla Nation”
“This Changes Everything”
“This One’s for the Ladies”
“Tigerland”
“To Be of Service”
“Toni Morrison: The Pieces I Am”
“True Justice: Bryan Stevenson’s Fight for Equality”
“A Tuba to Cuba”
“Walking on Water”
“Watson”
“Western Stars”
“What She Said: The Art of Pauline Kael”
“What You Gonna Do When the World’s on Fire?”
“When Lambs Become Lions”
“When Tomatoes Met Wagner”
“Where’s My Roy Cohn?”
“Who Will Write Our History”
“Woodstock: Three Days That Defined a Generation”
“Wrestle”
“XY Chelsea”
“Ximei”

Documentary features that have won a qualifying award at a competitive film festival or have been submitted in the International Feature Film category as their country’s official selection are also eligible in the category.  A shortlist of 15 films will be announced on 16 December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.

Nominations for the 92nd Academy Awards will be announced on Monday, 13 January 2020.

International Feature Film category for the 92nd Academy Awards

Ninety-three countries have submitted films for consideration in the new International Feature Film category (previously Foreign Language) for the 92nd Academy Awards. Ghana, Nigeria and Uzbekistan are first-time entrants. The 2019 submissions, listed in alphabetical order by country, are:

  • Albania, “The Delegation,” Bujar Alimani, director;
  • Algeria, “Papicha,” Mounia Meddour, director;
  • Argentina, “Heroic Losers,” Sebastián Borensztein, director;
  • Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
  • Australia, “Buoyancy,” Rodd Rathjen, director;
  • Austria, “Joy,” Sudabeh Mortezai, director;
  • Bangladesh, “Alpha,” Nasiruddin Yousuff, director;
  • Belarus, “Debut,” Anastasiya Miroshnichenko, director;
  • Belgium, “Our Mothers,” César Díaz, director;
  • Bolivia, “I Miss You,” Rodrigo Bellott, director;
  • Bosnia and Herzegovina, “The Son,” Ines Tanovic, director;
  • Brazil, “Invisible Life,” Karim Aïnouz, director;
  • Bulgaria, “Ága,” Milko Lazarov, director;
  • Cambodia, “In the Life of Music,” Caylee So, Sok Visal, directors;
  • Canada, “Antigone,” Sophie Deraspe, director;
  • Chile, “Spider,” Andrés Wood, director;
  • China, “Ne Zha,” Yu Yang, director;
  • Colombia, “Monos,” Alejandro Landes, director;
  • Costa Rica, “The Awakening of the Ants,” Antonella Sudasassi Furniss, director;
  • Croatia, “Mali,” Antonio Nuic, director;
  • Cuba, “A Translator,” Rodrigo Barriuso, Sebastián Barriuso, directors;
  • Czech Republic, “The Painted Bird,” Václav Marhoul, director;
  • Denmark, “Queen of Hearts,” May el-Toukhy, director;
  • Dominican Republic, “The Projectionist,” José María Cabral, director;
  • Ecuador, “The Longest Night,” Gabriela Calvache, director;
  • Egypt, “Poisonous Roses,” Ahmed Fawzi Saleh, director;
  • Estonia, “Truth and Justice,” Tanel Toom, director;
  • Ethiopia, “Running against the Wind,” Jan Philipp Weyl, director;
  • Finland, “Stupid Young Heart,” Selma Vilhunen, director;
  • France, “Les Misérables,” Ladj Ly, director;
  • Georgia, “Shindisi,” Dimitri Tsintsadze, director;
  • Germany, “System Crasher,” Nora Fingscheidt, director;
  • Ghana, “Azali,” Kwabena Gyansah, director;
  • Greece, “When Tomatoes Met Wagner,” Marianna Economou, director;
  • Honduras, “Blood, Passion, and Coffee,” Carlos Membreño, director;
  • Hong Kong, “The White Storm 2 Drug Lords,” Herman Yau, director;
  • Hungary, “Those Who Remained,” Barnabás Tóth, director;
  • Iceland, “A White, White Day,” Hlynur Pálmason, director;
  • India, “Gully Boy,” Zoya Akhtar, director;
  • Indonesia, “Memories of My Body,” Garin Nugroho, director;
  • Iran, “Finding Farideh,” Azadeh Moussavi, Kourosh Ataee, directors;
  • Ireland, “Gaza,” Garry Keane, Andrew McConnell, directors;
  • Israel, “Incitement,” Yaron Zilberman, director;
  • Italy, “The Traitor,” Marco Bellocchio, director;
  • Japan, “Weathering with You,” Makoto Shinkai, director;
  • Kazakhstan, “Kazakh Khanate. The Golden Throne,” Rustem Abdrashov, director;
  • Kenya, “Subira,” Ravneet Singh (Sippy) Chadha, director;
  • Kosovo, “Zana,” Antoneta Kastrati, director;
  • Kyrgyzstan, “Aurora,” Bekzat Pirmatov, director;
  • Latvia, “The Mover,” Davis Simanis, director;
  • Lebanon, “1982,” Oualid Mouaness, director;
  • Lithuania, “Bridges of Time,” Audrius Stonys, Kristine Briede, directors;
  • Luxembourg, “Tel Aviv on Fire,” Sameh Zoabi, director;
  • Malaysia, “M for Malaysia,” Dian Lee, Ineza Roussille, directors;
  • Mexico, “The Chambermaid,” Lila Avilés, director;
  • Mongolia, “The Steed,” Erdenebileg Ganbold, director;
  • Montenegro, “Neverending Past,” Andro Martinović, director;
  • Morocco, “Adam,” Maryam Touzani, director;
  • Nepal, “Bulbul,” Binod Paudel, director;
  • Netherlands, “Instinct,” Halina Reijn, director;
  • Nigeria, “Lionheart,” Genevieve Nnaji, director;
  • North Macedonia, “Honeyland,” Ljubo Stefanov, Tamara Kotevska, directors;
  • Norway, “Out Stealing Horses,” Hans Petter Moland, director;
  • Pakistan, “Laal Kabootar,” Kamal Khan, director;
  • Palestine, “It Must Be Heaven,” Elia Suleiman, director;
  • Panama, “Everybody Changes,” Arturo Montenegro, director;
  • Peru, “Retablo,” Alvaro Delgado Aparicio, director;
  • Philippines, “Verdict,” Raymund Ribay Gutierrez, director;
  • Poland, “Corpus Christi,” Jan Komasa, director;
  • Portugal, “The Domain,” Tiago Guedes, director;
  • Romania, “The Whistlers,” Corneliu Porumboiu, director;
  • Russia, “Beanpole,” Kantemir Balagov, director;
  • Saudi Arabia, “The Perfect Candidate,” Haifaa Al Mansour, director;
  • Senegal, “Atlantics,” Mati Diop, director;
  • Serbia, “King Petar the First,” Petar Ristovski, director;
  • Singapore, “A Land Imagined,” Yeo Siew Hua, director;
  • Slovakia, “Let There Be Light,” Marko Skop, director;
  • Slovenia, “History of Love,” Sonja Prosenc, director;
  • South Africa, “Knuckle City,” Jahmil X.T. Qubeka, director;
  • South Korea, “Parasite,” Bong Joon Ho, director;
  • Spain, “Pain and Glory,” Pedro Almodóvar, director;
  • Sweden, “And Then We Danced,” Levan Akin, director;
  • Switzerland, “Wolkenbruch’s Wondrous Journey into the Arms of a Shiksa,” Michael Steiner, director;
  • Taiwan, “Dear Ex,” Mag Hsu, Chih-Yen Hsu, directors;
  • Thailand, “Krasue: Inhuman Kiss,” Sitisiri Mongkolsiri, director;
  • Tunisia, “Dear Son,” Mohamed Ben Attia, director;
  • Turkey, “Commitment Asli,” Semih Kaplanoglu, director;
  • Ukraine, “Homeward,” Nariman Aliev, director;
  • United Kingdom, “The Boy Who Harnessed the Wind,” Chiwetel Ejiofor, director;
  • Uruguay, “The Moneychanger,” Federico Veiroj, director;
  • Uzbekistan, “Hot Bread,” Umid Khamdamov, director;
  • Venezuela, “Being Impossible,” Patricia Ortega, director;
  • Vietnam, “Furie,” Le Van Kiet, director.